Audio recording is superficially simple. Place a microphone in front of your subject, set the record levels – and you’re done! However reality is very different. Correct microphone selection, placement and technique is critical to good audio quality. And nothing will kill a...

In case you weren’t already aware, Hollywood’s film editors have been besieging Apple’s headquarters demanding they reinstate Final Cut Pro 7 as there are so many professional features missing from Final Cut Pro 10. This they have now done, however now I’ve had a good...

Following my previous post: Shooting and editing with multiple cameras, I’ve had a number of people asking me about the best type of camera to use as a “second” or “safety” camera. If you’re shooting live events, which for a lot of us is going to be weddings,...

Rode have enjoyed great success with their diminutive Videomic on-camera condenser microphone. Because it produces such high-quality audio it has become immensely popular amongst non-broadcast videographers. They have now introduced the Videomic Pro at a price point slightly above the original...

Once you’ve shot your first few productions you’re going to be keen to develop your skills and improve the overall quality of your work. Introducing a second camera to you live event coverage brings many advantages but also introduces another level of complexity. Safety Camera The...

JTS KA-10 Videographer & Sennheiser EW 112-p G3 Radio Mics The Sennheiser G3 and its predecessors have enjoyed a long period as the non-broadcast radio mic of choice. There’s plenty of cheaper products, mostly little more than toys. There are also many higher end £800+ broadcast...